The work is called Sing for Our Land. It begins with a single instrument. Then something shifts. Movement enters — not to explain the music, not to follow it. Just to meet it. What happens from there isn’t fixed. It listens. It becomes something else.
The Ice House holds it differently than a concert hall would. There’s space for what this needs.
This is a world premiere. No one has experienced it yet — not even the people who made it, not in front of an audience. Two performances. Same work. Different conditions each time.
Come if you’re curious. Come ready to be the first.