An accordion and a string trio walk into a concert hall.
No, really.
Stravinsky pushes forward. Ravel takes his time. Piazzolla’s Four Seasons starts somewhere familiar — then tilts just enough to make you wonder if you’ve been hearing it wrong all along.
Chamber music has always done this. Put unlikely sounds together and see what happens. Sometimes it surprises you. Sometimes it resets your ears entirely.
These are artists at the beginning of paths still unfolding. Young Concert Artists has a way of finding them early. For three years running, that energy has landed in this room, with this audience.
Halloween afternoon. An accordion. You could stay home.